Tribute to Marco Risi

 

   
 
Fortàpasc
Director: Marco Risi
Screenplay: Jim Carrington, Andrea Purgatori, Marco Risi
Photography: Marco Onorato
Sound: Massimo Simonetti
Cast: Libero De Rienzo, Valentina Lodovini, Michele Riondino, Massimiliano Gallo, Ernesto Mahieux, Salvatore Cantalupo, Gigio Morra, Gianfranco Gallo, Antonio Buonomo, Roberto Calabrese, Raffaele Vassallo, Kyung Mi Lee, Mimmo Mignemi, Nadia Carlomagno, Salvatore Striano; with the partecipation of: Ennio Fantastichini, Duccio Camerini, Renato Carpentieri, Ginafelice Imparato, Marcello Mazzarella, Daniele Pecci
Editing: Clelio Benevento
Production: Angelo Barbagallo and Gianluca Curti for BIBI Film, Rai Cinema, Minerva Pictures Group, with the support of MiBAC
International Distribution: Rai Trade, via Umberto Novaro 18, 00195 Rome (Italy), tel. +39 06 37498244, fax +39 06 37516222, rossi@raitrade.it, cifola@raitrade.it, www.raitrade.com
Year: 2009. Running Time: 110’
 
In 1985, at the age of 26, Giancarlo Siani (Libero De Rienzo), a reporter for the local newpaper Il Mattino was killed by the “Camorra” (Neapolitan Mafia) by ten gun shots. He loved both his life and his work. He would gather information, dig up hard facts, investigating and checking them carefully, often to a fault and to the Camorra’s dislike. It was his investigative spirit which would lead to his downfall. The film tells of his last four months, when he traveled daily from the genteel Vomero neighborhood where he lived, to the hellish mafia realm of boss Valentino Gionta (Massimiliano Gallo) in Torre Annunziata. At that time, criminal interests were focused on profiting from the post-earthquake construction, and Giancarlo was investigating the corruption in earthquake reconstruction efforts. He observed and he understood. He moved among members of the mafia, corrupt politicians, timid prosecutors and helpless policemen. He was like a lily in the mud. The night he was killed, he was supposed to go to Vasco Rossi’s rock-concert with his girlfriend.
 
 
Three Wives
Director: Marco Risi
Screenplay: Marco Risi, Silvia Napolitano
Photography: Italo Petriccione
Music: Giancarlo Bigazzi
Cast: Francesca D’Aloja, Iaia Forte, Silke Klein, Claudio Gregori, Loles Leon, Juan Palomino, Beppe Fiorello, Maria Rosaria Forte
Editing: Valentina Girodo
Production: Sorpasso Film, Rai Cinema, Star Edizioni Cinematogrofiche, Star Plex, Media Park (Spagna), Delta Productions (Buenos Aires), with the support of MiBAC
International Distribution: Minerva Pictures Group Srl, via Emilio Bianchi 54, 00142 Rome (Italy), tel. +39 06 85358648, fax +39 06/8558105 valentina@minervapictures.com www.minervapictures.com
Year: 2001. Running Time: 90’
 
Beatrice (Francesca D’Aloja), Bianca (Iaia Forte) and Billie (Silke Klein) have nothing in common. The first is a rich lady of leisure, the second, a content housewife and the third, a young, insolent, brazen-faced girl. Their three husband, a bank manager, a cashier and a security guard have disappeared after a big bank robbery. The three women resign themselves to the fact, but a year later, when the men are sighted in Argentina, each of the wives sets off on the fugitives’ trail, without the other two knowing. The three women not only start a journey into an unknown continent, but also an existential journey as they begin to think back over their lives and redefine themselves. What will their search reveal?
 
 
Boys on the Outside
Director: Marco Risi
Screenplay: Marco Risi, Aurelio Grimaldi
Photography: Franco Fraticelli
Music: Giancarlo Bigazzi
Cast: Francesco Benigno, Alessandro Di Sanso, Roberto Mariano, Alfredo Li Bassi, Ricky Memphis, Maurizio Prollo, Filippo Genzardi, Salvatore Termini, Giuseppe Piricò, Giuseppe Lucania, Alessandro Calamia, Carlo Berretta
Editing: Franco Fraticelli
Production: Numero Uno International s.r.l., Claudio Bonivento
International Distribution: Intramovies, via Eustacchio Manfredi 15, 00187 Rome (Italy), tel. +39 06 8077257, fax +39 06 80761566 mail@intramovies.com www.intramovies.com
Year: 1990. Running Time: 108’
Copy made available by Cinecittà&Luce
 
After a hard life in the juvenile prison “Malaspina” in Palermo, the boys in the film Mery Forever are released. But once outside they must face new and even more difficult problems than those faced inside the institution. They must learn to handle their problematic freedom in a city which refuses to accept them or to give them a second chance. They are marked as outcasts and this fact obliges them, in order to survive, to enter once more into the world of petty crime that sent them to prison. Their broken families, resigned mothers and social workers merely reflect the inadequacy of the institutions, are of no help whatsoever. The street becomes the natural setting for their adventures. It is in the street that the tender and disenchanted Mery works as a prostitute with her friend Veronica… It is in the street that Cin-Ciong is killed during the shooting as he is caught stealing. It is in the street that Antonio, who sells potatoes, is arrested and put in prison for not having a permit. And it’s in the street that Natale, who is part of a gang, attempts to violate a girl but gives up when he sees how fearful she is, and it’s in the street that Claudio, the only one who succeeds at living a normal life and having family, is killed because of an old vendetta.

 
 
   
 
 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 


 
 
 
 
  

 

 

 

 

 


 
 
 
 
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Marco Risi
Born in Milan in 1951, the son of well known director Dino Risi, after two years of studies at the Faculty of Philosophy, he quit college and followed his father’s tracks, becoming assistant director to his uncle Nelo Risi in the film Una stagione all’inferno. Later he worked with Duccio Tessari. In 1978 he shot a documentary Appunti su Hollywood (Hollywood Notes) broadcast on RaiUno. As a screenplay writer he co-wrote Caro Papà in 1979 and Sono fotogenico (I am Photogenic) in 1980, both directed by his father Dino Risi. In 1982 he directed his first feature film Vado a vivere da solo with actor Jerry Calà, then Colpo di fulmine. With Soldati 365 at Dawn he approached more socially-committed subjects but it was with Mary Forever in 1989 that Marco Risi was recognized as an accomplished director and was awarded the national Ciak d’Oro, the Sacher Prize and the Jury Prize at Montreal International Film festival. In 1990, Ragazzi fuori (Boys on the Outside), a sequel to Mary Forever, received numerous awards such as another Ciak d’Oro for Best Collective Interpretation, the David di Donatello for Best Direction and the Osella d’Oro at Venice International Festival 1990. In 1991, for his film Il muro di gomma he received the Golden Lion at Venice Festival. In the same year, together with producer Maurizio Tedesco, he founded his own production company “Sorpasso Film” after the title of his father Dino Risi’s famous film with Vittorio Gassman as main character. In 1992, he produced Mille bolle blu (Thousand Blue Bubbles) by Leone Pompucci and in 1995 Camerieri, by the same director, was awarded at Venice International Film Festival and in Stockholm. In 1994 he also produced Le buttane by Aurelio Grimaldi and the much discussed Il branco based on the novel by Andrea Carraro. With Hamam, the first feature film by Ferzan Özpetek, Marco Risi received the Best Producer award in 1998. In the same year, he made the grotesque Caput Mundi, an adaptation of a short story by Niccolò Ammanniti. In 2001 he shot Three Wives and in 2007 Maradona. God’s Hand, a biography of the famous soccer player Diego Maradona. His latest work Fortàpasc (2009) has been awarded many prizes such as the Golden Globe assigned by the foreign press to the Best Director, in Bratislava, Slovakia, the Flaiano Prize for Best Direction, the Sergio Amidei Prize for Best Screenplay, and the FAC Prize.