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Director: Paola Baroni,
Paolo Benvenuti
Screenplay: Paola Baroni, Paolo
Benvenuti
Photography: Giovanni Battista Marras
Music project art director: Paola Baroni
Cast: Riccardo J. Moretti, Tania Squillario,
Federica Chezzi, Giovanna Daddi, Dario Marconcini,
Debora Mattiello, Chiara Armonico, Sofia Chiantelli,
Gianfranco Toce, Pietro Terraglia, Marcello Bartolomei
Editing: Cesar Augusto Meneghetti
Production: Gianpaolo Smiraglia for
Arsenali Medicei with the contribution
of Ministero dei Beni e delle Attività Culturali,
Regione Toscana, Mediateca
Toscana Film Commission, Fondazione
Festival Pucciniano
International Distribution: Adriana Chiesa
Enterprises, via Barnaba Oriani 24/A, 00197
Roma, tel. +39 06 8086052, fax. +39 06 80687855,
info@adrianachiesaenterprises.com,
www.adrianachiesaenterprises.com
Year: 2008. Running Time: 84’
In 1908 Giacomo Puccini (Riccardo J. Moretti) is
composing La fanciulla del West. In front of
his villa in Torre del Lago, the “Chalet da Emilio”
looms above the water. Behind the counter the beautiful
Giulia (Federica Chezzi), is serving wine and smiles.
She is a cousin of Doria Manfredi, a young maid in
Puccini’s home. One day, at the end of the summer, Doria
(Tania Squillario) surprises Fosca (Debora Mattiello),
the musician’s step-daughter, in bed with her lover,
Guelfo Civinini. Worried that Doria will give away her
secret, Fosca begings to check Doria’s every movement
and sensing there is an understanding between the maid
and her stepfather, forces her mother Elvira (Giovanna
Daddi) to spy on Puccini. One night she sees him with a
young girl and although she cannot see her face, she is
sure it is Doria. While Puccini is completely engrossed
with the composition of his opera and uses every
possible excuse he can to pursue his relationship with
Giulia, Elvira takes every occasion she can to ruin the
reputation of poor Doria, her only crime having been a
messenger of love between the Maestro and her cousin.
Unable to stand the shame, Doria decides to commit
suicide.
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Paolo Benvenuti
Born in Pisa in 1946, he graduated from the Florence Art
Institute in 1965 as a painter, but by 1968 turned to filmmaking.
His film Medea, the Theatre of May in Buti won him a
place in the selection of Berlin Festival in 1973. After working
as assistant director to Roberto Rossellini, Jean-Marie Straub
and Danièle Huillet, he founded the cineclub “Arsenale” in Pisa.
In 1988, his first feature Jude's Kiss was presented at
the Venice Festival. He competed in Locarno with his feature
films Confortorio in 1992 and Tiburzi in 1994,
followed by Gostanza da Libbiano, winner of the Special
Jury Prize in 2000. His 2003 film Secret Files was in
competition at the Toronto and Venice International Festivals.
Paola Baroni
Born in Verona in 1961, she studied drama from 1988 to 1990 at
the Scuola Regionale di Attività Attoriali under the direction
of Ezio Maria Caserta. Her debut in1989 at the Teatro Olimpico
of Vicenza was followed by a stage career ranging from plays and
monologues to poetry recitals. She began her collaboration with
Paolo Benvenuti in 1998 as assistant director and acting coach
for Gostanza da Libbiano. She co-wrote the story and
screenplay for Secret Files. Baroni moved to Pisa in
2003 and started a seminar for children, “Facciamo un film”. The
experience led to the production of the short film L'incubo
di un maestro, entirely written, filmed, performed,
directed, and edited by these children. In 2006, Paola Baroni
made her stage directing debut with the play Pietro
Calamandrei: in difesa di Danilo Dolci which she wrote
based on the pleadings of the great jurist at the 1956 trial of
the famous sociologist. Puccini and the Girl represents
Baroni and Benvenuti’s most extensive collaboration to date.
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